Categories
Politics/Government

Game Developer Unions?

Code Union, Code Better in the latest Escapist talks about the benefits of organizing software developers to reverse the pendulum which has currently swung “in the direction of upper management, to the point where workers are forced to accept low pay and long hours out of fear”.

The author fears that besides the threat of outsourcing cogs in a wheel to cheaper nations, the current developers are working for longer hours and little pay as it is. He compares the situation with the meatpacking or coal mining industries of yesteryear.

In ea_spouse, we had our Upton Sinclair, but we’re without a Teddy Roosevelt. Without a friend in politics, we’re a massive blob with no direction, no drive. Someone is going to have to step up from within to give us a figurehead. The industry is in the middle of a rockstar drought, but we need someone like the industry’s founding fathers, able to capture our hearts and minds, not only with a game, but with a personality and a cause. But with corporate cultures disintegrating as bottom lines and mergers usurp artistic vision, rockstars are getting harder and harder to come by.

Pray for one to rise from the bowels of some dungeon-like cube farm. We need a savior-caliber leader to keep us together, and to keep us employed.

I’m not intimately familiar with EA’s work practices, but I’m familiar with the stories. Near-80-hour weeks without pay to make up for it. If you can’t handle it, we’ll find someone who will. With EA being such a giant in the game industry, a lot of people feel that they have no choice but to work in such dismal conditions.

But Blancato has brought up a good point: where is the strong leader to say “No!” to EA? With EA working with so many development teams and such big names as Will Wright and now Steven Spielberg, why haven’t any of them said anything?

Obviously some people love working for EA, and the bad news is getting a lot more press than it might otherwise have at some other company. Still, if people hate the conditions so much, wouldn’t some of their major game developers have a say? Will Wright at EA Maxis? Rick Hall at EA Origin? Heck, Peter Molyneux’s games get published by EA. Why not him? Wouldn’t someone want to step up for their teams and say, “You know, I don’t think you should treat the rest of them so badly. They need better work conditions, or I’m out of here.”? Would it be too farfetched to hear one day that Spielberg decided not to work with EA due to the conditions of the developers?

It’s generally considered normal in the game industry to work long hours and go through crunch periods to meet deadlines. It’s almost been a badge of honor. Still, plenty of studies have shown that there are fewer errors when working sane hours and people get to take breaks and go get some sleep. Forcing people to work 60+ hour weeks for months at a time is not only abuse but also counterproductive. EA took it to an extreme.

Some EA studios apparently do better than others as far as employee satisfaction. They come in expecting crunch periods towards the end of a project, but they also get great benefits and extra vacation time. According to ea_spouse, some or all of these benefits were going to be revoked. It definitely can’t be all good there.

I write all this not being someone on the inside. I’ve never worked at any major game company, let alone any of EA’s studios. I don’t really know too many game developers, but I’ve heard and read from some of them. Everyone knows the horror stories, whether they are glorified or not. Maybe someone will read what I have to say and dismiss it as just another irrelavant opinion. Still, why haven’t we heard from some of the studio’s major figures regarding EA’s work practices? Obviously no one wants to lose his/her job, but they can’t really fire everyone, nor could they allow some non-EA game studio to pick up their stars, right?

Categories
Politics/Government

Jack Thompson’s Modest Proposal

I was about to make a huge post about Jack Thompson’s “modest proposal”, but I just realized that besides the game industry magazines and news sites, no one is reporting it. It is probably just as well.

If you’re curious, I’ll link to the Joystiq article.

I gained slightly more respect for him after listening to the interview podcast on Game Politics, but this proposal sank my opinion of him.

EDIT: Ctrl-Alt-Delete has a comic and an open letter about the “modest proposal”.

Categories
Geek / Technical Politics/Government

Digital Restrictions Management

I’ve talked about so-called “Digital Rights Management” before, but I’ve noticed that it is coming up a lot on ZDNet. For instance, Sun is trying to come up with an open DRM, but I don’t care how open a system is if the purpose of the system is to restrict what I can do with music and movies. “I’ll bind your arms and legs to a chair, but I’ll tell you where I got the rope, how much it cost, and how much pressure I applied to tie the knot.” Thanks, but no thanks.

The latest I’ve read is We the Sheeple (and other tales of DRM woe). Basically, another ZDNet blogger didn’t think that DRM was that big of a deal, and so the author tried to make better arguments.

People will readily point out the dangers and health risks of smoking. It’s fairly straightforward and easy to understand. Smoke, and you get cancer. Smoke, and your family and friends will get sick. It’s easy to fight against companies that make so much money off of a product that is so dangerous to the public.

Copyright law, on the other hand, is confusing enough as it is. People in general don’t know an operating system from the company that produces it, and since DRM is tied so intimately with technology, most people won’t care enough to be up in arms about it.

There are some serious concerns, of course. DRM puts a lot of control into the hands of the copyright holders, which isn’t so bad in and of itself. What is bad is how overreaching it is. Fair use is still fair use, but just owning the means to circumvent DRM in order to do something protected under fair use is a felony in the United States under the Digital Millenium Copyright Act (DMCA). Very clever. “Yes, you are allowed to play your music on any player you want. Yes, you are allowed to use a few seconds of audio for your class project. Yes, you are allowed to make a mix CD. No, you can’t copy the music from the original CD to do so.” Absurdly lovely.

Or how about when TiVo automatically deletes episodes of shows you haven’t had a chance to watch yet? Or when your new VCR isn’t allowed to tape certain shows because the television broadcast contains a no-copy bit?

Be a good little consumer and roll over.

Digital Restrictions Management: just one of the reasons I prefer to use a Free operating system.

Categories
Geek / Technical Marketing/Business Politics/Government

Happy Software Freedom Day!!

Happy Software Freedom Day!

Software Freedom Day (SFD) is a worldwide celebration of Free and Open Source Software (FOSS). Our goal in this celebration is to educate the worldwide public about of the benefits of using high quality FOSS in education, in government, at home, and in business — in short, everywhere! The non-profit company Software Freedom International provides guidance in organizing SFD, but volunteer teams around the world organize their own SFD events to impact their own communities.

Elsewhere in the Starter Manual:

Software Freedom Day is not about any individual companies or people; Software Freedom Day is a positive community celebration of Software Freedom.

w00t!!

Categories
Marketing/Business Politics/Government

EFF on DRM: Customer Is Always Wrong

Thanks to Blue Sky on Mars, I found The Customer is Always Wrong: A User’s Guide to DRM in Online Music, the EFF guide to Digital Resctrictions Management.

Many digital music services employ digital rights management (DRM) — also known as “copy protection” — that prevents you from doing things like using the portable player of your choice or creating remixes. Forget about breaking the DRM to make traditional uses like CD burning and so forth. Breaking the DRM or distributing the tools to break DRM may expose you to liability under the Digital Millennium Copyright Act (DMCA) even if you’re not making any illegal uses.

In other words, in this brave new world of “authorized music services,” law-abiding music fans often get less for their money than they did in the old world of CDs (or at least, the world before record companies started crippling CDs with DRM, too). Unfortunately, in an effort to attract customers, these music services try to obscure the restrictions they impose on you with clever marketing.

This guide “translates” the marketing messages by the major services, giving you the real deal rather than spin. Understanding how DRM and the DMCA pose a danger to your rights will help you to make fully informed purchasing decisions. Before buying DRM-crippled music from any service, you should consider the following examples and be sure to understand how the service might limit your ability to make lawful use of the music you purchase.

Categories
Games Marketing/Business Politics/Government

Evil Games Or Misunderstood?

1UP reprinted an article from Computer Gaming World titled Pop Culture Pariah: Why Are Videogames The Favorite Demon of the Mainstream Media?

While it was informative, I really don’t like the idea that we just have to wait it out until people who are gamers grow up and take over society from the previous generation. It’s a new form of media, and the previous generation didn’t grow up with it so they don’t know what to make of it except from what they are being fed from the news headlines and pamphlets. In a sidebar, CGW interviewed Steven Johnson, the author of Everything Bad Is Good for You: How Today’s Popular Culture Is Actually Making Us Smarter, and he mentions that games today are so complex that it is hard to get people to discover them in the first place, which is one of the things I think game developers need to work on in order to not only get female gamers but all non-gamers into gaming.

I remember my mother could handle playing Atari 2600 games since all she had to worry about was a joystick and a single button. In fact, her favorite game was actually Breakout which made use of analog paddles with a single button. When I got an NES a few years later and tried to get her to play Super Mario Bros, she looked at the cross pad and four buttons on the controller and immediately decided that it was too complicated for her, yet, using those same buttons, she loved Tetris on the GameBoy.

In high school I remember people complaining that the Super NES had too many buttons and that’s why they liked Sega Genesis better. Funnily enough, some of these same people were first in line for a Playstation when it came out. Anyway, I think it is interesting that controller layouts can do much more to intimidate new players than anything else. I mean, driving a car is a complex activity, even with an automatic. You have three mirrors, four wheels, one steering wheel, and a number of settings such as Reverse, Drive, Neutral, and Park, plus an entire world that you need to pay attention to in order to get to your destination safely. Yet driving a car isn’t that intimidating to so many people as playing video games.

Sit down someone who plays console games in front of a keyboard and mouse and tell them these are their tools for playing a game, and they’ll freak out. I know that I felt weird playing SimCity on the computer after first playing for years on the SNES version. Today I find it difficult to play Goldeneye 64 even though I was awesome on it when it came out. I’ve been playing computer games for so long to the detriment of my consoles. But the controls don’t intimidate me. I’m used to overcoming new controller layouts.

What about the new gamer? Too much effort? Too much frustration? Too much confusion? It’s no wonder that solitaire sells so well compared to most games.

While I think a big part of the problem is that people need a scapegoat, I also think that the complexity of games for non-gamers only furthers to mystify what is great about games and gaming. With games like Bejeweled and Tetris being as popular as they are among otherwise non-gamers, wouldn’t you think that most people would understand that GTA:SA doesn’t necessarily represent video games?

Categories
Geek / Technical Linux Game Development Politics/Government

Blizzard Wins bnetd Case

Blizzard wins lawsuit on video game hacking. If you are not familiar with this case, basically Ross Combs and Rob Crittenden are two guys were fed up with Battle.net being unresponsive and decide to reverse-engineer their own version of it called bnetd.

My take? Just from the article, it sounds like if it wasn’t for the DMCA, the reverse-engineering wouldn’t have been considered that much of a problem. Of course, when you install Starcraft, you agree not to reverse-engineer anything anyway, so they are in violation of the EULA, but I think it is just another case of the DMCA being abused.

Blizzard obviously has a right to make sure that people aren’t playing with pirated copies, and they obviously have the right to dictate how people play online with their games. Apparently they have the right to tell people that they can’t find better service elsewhere. It wasn’t about piracy. The bnetd project had asked for assistance from Blizzard to make it possible to verify the copies used aren’t being pirated, but they were refused.

Power. Blizzard owns the copyright, and so they have the exclusive power to dictate what can be done with their copyrighted works. That’s fine. They want to control it and have the right to do so. But bnetd was not about allowing people to pirate the games. It was not about creating new games using Blizzard’s copyrighted works. It was about making it possible for people to play the game when they would otherwise have a high amount of lag. It was about a customer taking matters into his own hands to make it possible to enjoy the game he loves to play.

I personally think that bnetd was perfectly fine since it wasn’t software meant to facilitate copyright violations but to “interoperate” with Blizzard’s software. I mean, how is this situation different from the SAMBA project?

Some people have decided to boycott Blizzard games. I haven’t made that decision yet, but they don’t make Gnu/Linux games anyway so I guess I don’t have to worry about anything. I’m just getting tired of copyright owners thinking that they are also “customer owners”.

Related Links:

Categories
Geek / Technical Politics/Government

MS Vista Anti-Piracy: Wow, What B.S.

Well, here’s MS Vista’s anti-customer restrictions explained.

So apparently if you buy a DVD, and Vista doesn’t like your HD-television (read: you didn’t buy a newer one), it will decide you don’t get to make use of high definition quality video. I already knew I didn’t like the digital restrictions management that Windows Media Player made use of. Now Hollywood and Microsoft get to dictate whether or not you can make full use of your paid-for television and movies. It would be like Windows detecting that a server you are connecting to is not using Microsoft software and so throttling your bandwidth to make the connection arbitrarily slower. Or like Microsoft’s IIS sending non-IE web browsers different, outdated HTTP headers.

I have a friend who couldn’t play a DVD from his computer through the VCR that he had hooked up to his television. He wasn’t copying anything, but he basically had all video and audio going through the VCR to the television, and the DVD player apparently detected the VCR and prevented the video from transmitting. In order to play the DVD, he had to disconnect his VCR and connect his computer to the television directly. It is a complete hassle for the customer that doesn’t do anything to prevent copyright violation. Anyone can still take a DVD and make a pristine copy without the need to break the copy protection, so what was the point of it?

And now Vista will be enforcing customer restrictions in a similar way. Lovely.

Categories
Politics/Government

Jack Thompson, What a Guy

Up until now I thought Jack Thompson was being very specific in his attacks against Rockstar and violent video game developers, players, and distributors. I’ve read some of his emails in the past, and I have to say that he’s much better at grammar and punctuation these days. I am sure he gets lots of hate mail from people, especially from kids who can’t do much more than repeat what they say when playing Counter-Strike.

While my opinion of him was never very high, I always tried to assume he at least believed what he was doing was right, that he was doing his best to make a difference in the world for the better. I never liked the idea of calling him an ambulance chaser or accusing him of just trying to make money off of the fears of parents. He was just uninformed or misguided, right?

So when I read that a Miami DJ had to get a restraining order due to harrassment from Thompson, when I read what he did at a public debate with Janet Reno, and when I read that he compared ESA president Doug Lowenstein to Goebbels, Hitler, and Saddam Hussein, I can no longer have respect for this guy. There are people who legitimately feel that video games are teaching children to kill. I can respect their opinion and respect them as people. But the moment people get hysterical and start spouting off nonsense as facts? That’s the point when I make my last statement and sign off.

Unfortunately, the media doesn’t care about Godwin’s Law. Thompson can make all the claims he wants, and it seems he will continue to be taken seriously. EA and Maxis are conspiring to peddle vile to children? Studies show that children’s brains can be damaged by violent media? Seriously?

And all of his (mostly unprovoked!) ad-hominem attacks against gamers and reporters? He claims that the agitated and emotional responses he gets in return are proof that video games have an adverse effect on attitudinal behaviors.

Jack Thompson as The Pot: Hey, Kettle, you’re BLACK!

I also can’t understand this at the bottom of his site “If you have kids, have them start shooting hoops instead of humans.” Why isn’t anyone outraged at the insinuation that parents are pushing their children to shoot people? I mean, if it is just a matter of parents pushing their children to play sports, what other interpretation is there? Or maybe it is just a sly way of admitting that it is the parents who let their children play these games, that the children aren’t just picking up Grand Theft Auto from the proverbial Streets?

I still don’t like the idea of calling him a nutcase or crazy or question his sexuality or anything personal like that. Why? Because I refuse to bend down to his level. Sure, in politics, emotion trumps reason, but maybe I’m just an idealist who thinks that that calling my opponent names isn’t going to help in the higher debate. I was able to communicate with the Illinois state governor’s office, and both parties were quite respectful. No one accused me of being a nerd or on drugs. We disagreed, but I didn’t send threats to kill anyone or sue them for contacting me back. We didn’t call each other names or question sexualities. Even when emotion did enter it, it was at least related to the damn issue. It was civilized.

It is clear that Thompson can’t handle this level of respect when in a debate. Either you must agree with him, or you’re an idiot. I’m waiting for him to call someone a doodoo head next.

So I won’t bend down to his level by calling him names that are unwarranted or irrelevant, but I will say he is disrespectful, dishonorable, and manipulative. Even if I ignore his opinions on violence in video games, his actions and his words have demonstrated to me that he is not worthy of real debate or real discussion. He can’t seem to handle a civilized discussion.

Categories
Politics/Government

IE Only Website: U.S. Copyright Office?

From Copyright Office: Is only MS IE acceptable to you?:

In a followup to its July 22, 2005, Notice of Proprosed Rulemaking, the Copyright Office is now seeking “information as to whether persons filing the electronic-only preregistration form prescribed by the Copyright Office will experience difficulties if it is necessary to use Microsoft’s Internet Explorer web browser in order to preregister a work.”

It’s been a few years since “Best Viewed With Internet Explorer” was something people proudly put on their sites. The idea that only IE is capable of viewing a webpage is absurd, but some people insist. But requiring me to use IE to preregister a copyright? Why? Didn’t Homeland Security say that IE is a problem?

The article provides contact information so that people can submit their opinions on this matter. More info: http://www.copyright.gov/fedreg/2005/70fr44878.html